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Morally gray characters with macabre powers play well in Amy L. Saunder’s sequel, exploring the power of words and personal identity.
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Morally gray characters with macabre powers play well in Amy L. Saunder’s sequel, exploring the power of words and personal identity.
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Lorehaven Review Team
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Series author Jill Williamson and debut Andrew Swearingen craft this medieval political drama with complex characters and shifting motivations.
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Lorehaven Review Team
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Demon Slayer: Infinity Castle Cuts a Careful Line Between Evil and Redemption
The smash-hit shonen adventure boldly presents its characters with flaws and virtues, be they noble demon slayers or vile demon lords.
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‘K-Pop Demon Hunters’ Pits Singing Heroines vs. Monster Idols
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‘Superman’ (2025) Will Make You Believe a Man Can Be Earnest
The DCU’s reboot presents a hero more sincere than Marvel’s signature blend.
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Dark Is The Stain: Suspense.
Sunday morning Fred posted a lovely series of Advent readings and Scriptures, and yesterday he posted on Hope ( I swear, we didn’t plan this). Now, I gotta say, just as over the last decade I’ve grown incredibly fond of […]
— Kaci Hill in November 2011 —
The Making Of A Myth, Part 2
Fairy stories are for children. Or are they? J. R. R. Tolkien in his essay “On Fairy Stories” built an argument that challenged the usual assumptions. First, he believed that fairy stories had significance beyond entertainment.
— Rebecca LuElla Miller in November 2011 —
Retelling Biblical Stories For A Modern Audience, Part 2
The ancient Jews loved to retell their Bible stories with embellishments. And they did so, not with a disdain for “the facts of history,†but rather with deep respect for the original
message
as they understood it.
— Brian Godawa in November 2011 —
The Making Of A Myth, Part 1
Tolkien is specific. Fairy stories are certain things and definitely not others. First they are stories about Faerie, “the realm or state in which fairies have their being,” though this realm contains much more than elves or fairies
— Rebecca LuElla Miller in November 2011 —
Retelling Biblical Stories For A Modern Audience, Part 1
The Bible doesn’t fear pagan imagination. Rather, it subverts and redeems it, using its motifs and baptizing them with altered subversive definitions that support Yahweh the true God against the false god Baal and other pagan deities in the ancient Near East.
— Brian Godawa in November 2011 —
The “Alien Work” Of God Part I
No, I’m not talking about this kind of alien work of God. Instead, I want to talk about how it seems that I’ve always had aliens on the brain. I mentioned two weeks ago that my earliest forays into writing […]
— John Otte in November 2011 —
Dark Is The Stain: Hallow’s Eve
I began this series because I wanted to explore the dark themes of Christian fiction. I don’t want to just discuss it; I want to touch it. I want light so bright that anything dark distracts, and darkness so black […]
— Kaci Hill in November 2011 —
Why I Wrote The DarkTrench Saga
Now that I’m done writing The DarkTrench Saga (from Marcher Lord Press), I’ll talk about it. The three-volume futuristic series has had some interesting criticisms, but surprisingly, the strongest reproaches have come from the Christian community.
— Kerry Nietz in October 2011 —
Shooting At Halloween Pumpkins
At Halloween, do demons really run wild over neighborhoods and souls? Or might Christians “demonize†decorations, to the glee of the actual Devil? This former pumpkin-“killer†explores our actual worst enemies, and the One Who defeated them.
— E. Stephen Burnett in October 2011 —
Dark Is The Stain: Chiaroscuro
Delving into Darkness Welcome to the new series! Church brat points to whoever knows which song “Dark is the Stain” comes from. I decided, in honor of the season, to go with a dark speculation of story. As Brian Godawa’s […]
— Kaci Hill in October 2011 —
Speculative Love, Part 6: Love Does Not Compute
By way of closing this series on love in speculative fiction, I wanted to talk briefly about a quality of love that makes it problematical for science fiction in particular: love is not logical.
— Fred Warren in October 2011 —
An Apologetic Of Horror, Part 3
The defense of horror and thriller movies in principle should not be misconstrued to be a justification for all horror and thriller movies in practice. It is the mature Christian who, because of practice, has his senses trained to discern good and evil in a fallen world.
— Brian Godawa in October 2011 —
An Apologetic Of Horror, Part 2
The portrayal of good AND evil, as well as their consequences, are two sides of God’s one honorable, pure, lovely, excellent, and praiseworthy truth. According to the Bible, pointing out wrong is part of dwelling on what is right, exposing lies is part of dwelling on the truth, revealing cowardice is part of dwelling on the honorable, and uncovering corruption is part of dwelling on the pure.
— Brian Godawa in October 2011 —
An Open Letter To Truly ‘Courageous’ Storytellers
Christians should hate it when people base church services on entertainment. They should also dislike when people base entertainment on church services.
— E. Stephen Burnett in October 2011 —
The Doctor’s Doctrines: Discussion Time
Doctor Who series 6 ended last Saturday, with the universe crumbling (again!) and only one clever Time Lord to stop it. Now on Spec-Faith: Discuss. Quote. Think Christianly about the BBC sci-fi series. Work it out of your system.
— E. Stephen Burnett in October 2011 —
An Apologetic Of Horror, Part 1
Horror is not an inherently evil genre of storytelling. It can be used for gratuitous evil purposes, or for godly moral purposes. The Bible tells many stories using the horror genre in order to inspire holy fear of evil and admonish or chastise those in sin.
— Brian Godawa in September 2011 —
Speculative Love, Part 3: Standing The Test Of Time
By way of wrapping up last week’s discussion of romantic love in science fiction, or the lack thereof, I want to highlight a sub-genre that seems to grasp the power of the emotional bond between a man and woman devoted to each other: The time-travel story.
— Fred Warren in September 2011 —
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Lorehaven epilogue sponsors
Cathy McCrumb handles heavy subjects with a light touch, keeping the novel from grimness. Recorder is a creative and engaging novel that will appeal to a broad audience.
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Cathy McCrumb