Resurrection, Part 2: Christ Is Risen

Divine energy courses through His dead body. Light blazes. His heart beats. Tissues repair and muscles tighten. Some wounds vanish; five others stay as evidence. Resurrection begins.
— E. Stephen Burnett in March 2013 —

In The News: Mid-March 2013

“The Hobbit” on DVD, reviewing the “Left Behind” dramatic audio pilot, “Doctor Who” promos, St. Patrick, a low view of what Jesus can handle, and one theologian’s “Jack the Giant Slayer” criticisms.
— E. Stephen Burnett in March 2013 —

Resurrection, Part 1: Prelude

Every good hero in fantasy and science fiction must experience some kind of death and rebirth. Only one Hero has truly done it. And only He can share the joy of His Resurrection.
— E. Stephen Burnett in March 2013 —

What Makes Fantasy Work? Part 2

I hope our readers here at Spec Faith are thinking about the Christian speculative novel–fantasy, science fiction, supernatural, or whatever–they would like to nominate for the Clive Staples Award. Let’s find the books that work and pick the best of the lot to honor.
— Rebecca LuElla Miller in March 2013 —

Listening To Left Behind: Prologue

Skip the “Left Behind” movies (likely including the upcoming “Caged” remake). The audio-drama series is much more fun. And I hope to re-explore them in a new series.
— E. Stephen Burnett in March 2013 —

What Makes Fantasy Work? Part 1

Readers love Narnia and Lord of the Rings, and they love a handful of later fantasies. But a lot of stories don’t go viral, don’t get hundreds of reviews, and in fact get tepid responses. So what makes fantasy work?
— Rebecca LuElla Miller in March 2013 —

Fiction Christians From Another Planet! VIII: The Invisible Body

Why do some Christian novels treat local churches like they treat characters going to the bathroom? Why in effect say “ew” to the body of Christ?
— E. Stephen Burnett in February 2013 —

Where Are All The Superheroes?

From the halls of Odin to the exploits of Beowulf, the graphic-art mythos of Superman, the school day victories of colorful Power Rangers—why are superheros so super?
— Yvonne Anderson in February 2013 —

Magic In The Story: What’s The Big Deal?

Magic — just the mention of it can cause many a “good Christian” to draw dividing lines, take sides and ready for attack. Are we being discerning or just overreacting? Join our new series: Magic in the Story.
— Christopher Miller in February 2013 —

Fiction Christians From Another Planet! VI: Alien Love Slaves

Even in many speculative-novel subplots, the bad Christian-fiction romance is coarse, and rough, and irritating, and it gets everywhere.
— E. Stephen Burnett in February 2013 —

When Science Fiction Meets Fairy Tale

At first glance, science fiction and fairy tales appear to have little in common. They’re like water and oil. What could tales about nasty step-mothers and magic share with stories of high-tech gadgets and trips to other worlds? For starters, both address themes of human experience through the fantastic, and both bear the imprint of the culture of their time.
— Jeff Chapman in February 2013 —

Fiction Christians From Another Planet! IV: Terror Of The Megachurchians

If we only ever meet in Christian novels pagan characters overcome by platitudes like “Really? There’s a God who loves — me?”, the author has gone beyond corny. Worse, our Hero and the Gospel look ridiculous.
— E. Stephen Burnett in January 2013 —

Fiction Christians From Another Planet! III: Voices From Beyond

You want a Christian-fiction notion that makes pagan readers cackle and other Christians cringe? Then exalt voices-from-beyond as the only way God daily guides His people.
— E. Stephen Burnett in January 2013 —

On The â€Throne Of Bones’: A Q and A With Vox Day

“A Throne of Bones” epic-fantasy author Vox Day discusses how he’s moved from columns to fiction, controversial novel content, and his criticism (not imitation) of “A Game of Thrones.”
— Vox Day in January 2013 —

Fiction Christians From Another Planet! I: Invasion Of The Child-People

Why do some Christian novels keep presenting only equivalents of kid-Anakin or Wesley Crusher, instead of Han Solo or Captain Picard, and expect readers to like them?
— E. Stephen Burnett in January 2013 —

May I Have A Word?

It’s easy to use the word word, but hard to define it with words. That’s what it’s all about, isn’t it? A sound with meaning? Not really.
— Yvonne Anderson in January 2013 —

Seeking A Better Country Than Middle Earth

Watching Peter Jackson interpret J.R.R. Tolkien is like watching a master jazz impresario play Beethoven. The original is classic; the interpretation as a new work is equally brilliant.
— Rebecca LuElla Miller in December 2012 —

â€The Hobbit’ Story Group 6: Out Of The Frying-Pan Into The Fire

(How) do you plan to see “The Hobbit: An Unexpected Journey”? Be prepared for the film to climax with an expanded version of the book’s chapter 6, “Out of the Frying Pan Into the Fire.”
— E. Stephen Burnett in December 2012 —

â€The Hobbit’ Story Group 5: Riddles In The Dark

“The Hobbit” chapter 5, “Riddles in the Dark,” marks a turning point in the careers of not only Bilbo Baggins, but J.R.R. Tolkien.
— E. Stephen Burnett in December 2012 —
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Cathy McCrumb handles heavy subjects with a light touch, keeping the novel from grimness. Recorder is a creative and engaging novel that will appeal to a broad audience.

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