Yes, Men and Boys Will Read—If You Give Them the Right Books
How often do I hear this defeatist phrase from Christian publishing professionals: “Men and teen boys don’t read.”
They’re wrong.
How do I know they’re wrong? I walked away from a lucrative profession capitalizing on that very demographic. Secular publishers are making hundreds of millions each year selling an image of a man—the world’s ever-shifting image—to men and boys who want to define their manhood. That should concern you, because hundreds of millions in sales mean that at least some Christian men are part of this market, and the messages they’re receiving from these books are harmful.
Stick with me.
First, let’s reinforce the numbers. Check out the top 100 best-selling print new releases on Amazon, including all categories (cookbooks, politics, novels etc.), and you’ll find men’s fiction from Clive Cussler, Tom Clancy, Jack Carr, S. A. Cosby, and more. Check out the current New York Times hardcover bestseller list and you’ll find some of the same names.
All fiction. All for men who read books. (courtesy James R. Hannibal)
Men read. Boys read. To say otherwise when every bookstore in every airport has the latest Connelly, Thor, Clancy, and Carr books prominently displayed out front is a flat and frankly silly rejection of reality. Let’s put that part of the argument to bed and start dealing with the problem. Let’s be honest about our failings. We gave up ground to the world—the key battleground of men’s hearts—and it’s going to take fighting, clawing, and sacrificing to get it back.
We’ll start by identifying the place we went wrong. As it turns out, despite everything I’ve just said—despite those hundreds of millions in sales and the bestseller lists I mentioned—those naysaying Christian publishing professionals aren’t entirely wrong. Their defeatist statement just needs a little tweaking.
There’s truth in the ‘Men don’t read…’ fiction
Yes, it’s a fiction to say that men and boys don’t read, but there’s truth to be found in the thought. A more accurate phrasing might be, “Men and boys don’t read Christian fiction.” Why not? Because over the last twenty to thirty years, we’ve conditioned them to avoid it.
Here’s the controversial truth: Christian publishers have largely given up on men when it comes to fiction.
The shift of Christian fiction toward women’s romance to the near-exclusion of all else—from the late 1990s to today—is the topic for another article. Numbers don’t lie. As of this date, fifty-four of the top 100 new Christian releases on Amazon are romance novels. That’s 54 percent of Amazon’s top sellers this quarter in Christian publishing. Compare that to 18 percent in the secular market. The Evangelical Christian Publisher’s Association monthly top fiction sellers for June are almost a match with 52 percent being romance. If we could pull up the 1995 numbers, I guarantee they’d look different.
With few exceptions, we stopped working at capturing men’s hearts with stories, and it shows. Stories that present a shifting and confusing worldly image of a man have swept in to take the ground we abandoned. For those that haven’t let those books sweep in, reading has all but ceased, and the gap was filled by movies and games that present similar images. Either way, if we want to regain the ground we lost, we’ll have to fight for it.
Sadly, I’ve been on too many calls and seen too many emails or presentations that say the fight isn’t worth it, monetarily speaking. Reclaiming the men’s fiction market from the big brands like Clancy and Bourne is too costly. It will take years of losses to even scratch the surface of taking back meaningful market share. True. It will. It’ll be painful and difficult. Man up.
The fight is worth it, even considering the financial cost. Our son’s hearts are worth it. Our dad’s hearts are worth it. Men’s hearts are worth it. The Kingdom is worth it.
If we don’t fight, we’ll continue to let worldly publishers tell Christian men what a good man is supposed to look like. They’ll use stories and other mediums that present a skewed and shifting image of a what a man should be.
What secular men’s fiction says ‘manly men’ do
You remember Indiana Jones. You remember Jack Ryan from The Hunt for Red October. They had issues, sure, but nothing like today’s fictional manly men.
Things have changed.
Let me describe the image of a man offered by todays secular men’s fiction. Please remember that this is their view, not mine.
- A good man drinks. A lot. Alcohol, if not weed, is the solution to all emotional problems. If you and your buddy have a problem with each other, grab a bottle of whiskey and sort it out in a drunken stupor. Or get high. That works too.
- A good man lets anger guide him. You killed my dog. I’m going to burn your life down. My wife died in an accident you might have prevented. I’m going to destroy you. Dealing with those who cross you means shooting their kneecaps or sticking them into a stack of old tires and lighting it on fire. Also, being angry means having a truly foul mouth. And that’s okay. That’s just how men express themselves.
- A good man has lots of sexual partners. The perfect spy enters a “honey trap” and is sure to take advantage of the girl before turning the tables on her. She had it coming. A hard-hitting detective wakes up with a different woman at the start of every novel. In his keynote at ThrillerFest 2010, Ken Follet (Pillars of the Earth, World Without End) told the industry that you can’t sell a novel without multiple graphic sex scenes. I was there, taking notes. From what I’ve seen, the industry believed him.
- A good man upholds the pet political darling of the previous publishing year (due to publishing process lag). A secular fiction man’s man sleeps around a lot and is “definitely not gay,” but when he needs wisdom, he goes to his recently outed son, his lesbian professor, or his transgender sex-worker contact. These people have transcended the rest of us, and they have the answers he needs. A real man knows this.
I could go on. Instead, let me counter with a different image.
What manly men actually do
Every good hero is flawed. Even so, the story told through his eyes must point the reader toward a biblical image of what every man should strive to be. Here are few traits to look for.
- A good man loves God. The biblical hero puts God first. When he doesn’t, the story points toward the consequences. (Matthew 6:33)
- A good man loves his family. Fidelity is the mark of a true man. The biblical hero loves his wife and children and doesn’t push the boundaries of his marital vows. (Mark 10:6–9; Proverbs 6:32)
- A good man fights for what is right. No, he’s not dumping the villain into a stack of tires and lighting it on fire. But he does fight when the moment calls for it, whether with words or deeds. He doesn’t cower to the world’s pressures. He risks his life, reputation, or career to remain true to the Word of God. (2 Samuel 23; 1 Timothy 6:11–16)
- A good man is a humble and gentle leader. Pride may be the flaw of a story’s hero. If so, the story will show the reader by teaching that hero humility, and the hero will become a better leader/commander for it. (1 Peter 5:5)
This is just a sampling, but I hope you get the picture. Look for stories with a hero that reflects the image of a godly man presented in God’s word.
That’s the next step in fighting for this ground. We find stories with a biblical image of a man. And then we place them into the hands of those we love. We don’t just tell them about the books. We shove these books into their chests and say “Read this. Please. It’ll mean a lot to me.”
It’s a hard sell, but Christian fiction must fight for male readers
Men and boys read. Those hundreds of millions of sold books with fighter jets and tanks on the covers didn’t go to mostly women readers. And if some of my former colleagues’ yachts and vacation homes are any indication, those sales figures are holding strong.
We lost some ground. Big ground. Important ground. We’ll have to fight to get it back. That means reviving men’s Christian fiction through action. It means re-conditioning our men’s Christian culture to read healthy stories. It means telling our Christian publishers to get back in the game, even if it means financial strain for a few years. Here’s what you can do.
- Buy the books. Don’t just wait for the library copy. Audio works too.
- Hand the books to your sons, husbands, and fathers. Don’t just tell them about the book. Place it into their hands or shove it into their chests.
- Ask them about the books. Don’t nag. Okay, go ahead and nag. Help them build a habit of reading healthy stories.
- Write to Christian publishers and tell them how important this fight is. Tell them you expect them to fight for men’s hearts.
Men and boys read. Or they will read if you help them work at it. Get proactive. Find books that present that biblical image of a man, bring them home, and press them into the hands of your fathers, husbands, and sons. Give it the hard the sell. This fight is worth it.
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Thank you for the article! I will say that I’ve never actually heard the phrase “men don’t read” but I am not in every circle there is. I do know more girls that read than boys, but I never thought to generalize. I feel like saying that publishers have “given up” kind of undermines many of the small scale, hard working, publishers and indie authors out there. But these books are out there. It’ll take work on the consumers part to find those stories, but what good things come without a little work? I didn’t like the constant barrage of romance novels, so I had to slowly build up a following of people whose stories I was interested in. I didn’t wait around for anyone else to just hand it to me. The consumer has to be interested in more than the status quo if things are going to change for the better!
Again, thank you!
This is a subject that needs talked about a lot more in Christian circles. Thanks to the author and the Lorehaven staff for publishing this. I wrote a two-part series on this subject not long ago and would like to suggest that there’s several other reasons for the lack of disconnect. One is that evangelical churches are losing men. The Church’s difficulty in attracting males may be due less to a deficient outreach model and more reflective of a much larger cultural issue — the feminization of boys and the shaming of traditional masculinity. Secondly, “clean” fiction is not a high priority for most male readers. Face it, boys who became readers were often drawn by things they liked — dinosaurs, space aliens, nuclear mutants, heroic exploits, and… girls. Frankly, “clean” fiction is not a huge motivation for today’s young men. Again, I appreciate you guys tackling an extremely important topic!
Great article. One of the reasons I became a author is because I find it hard to find new books that promote male heroism without being nihilistic or too dark or anti-God. Writing to boys and men may seem a small market compared to the female readers, but we are here and there are enough us. We just need good writing. I hope to do what I can fill that need.
I think the reason men are being lost as readers is because there’s little for them past middle grade, and the genre shift between MG and YA/Adult is very dramatic. They go from stories of cats fighting over territory to YA love triangles and dry sci-fi. Pretty much all YA is more focused on relationships and such than adventure, and that’s not something boys want. There are a few good boy books out there in YA, but they’re hard to find.
I believe that more adventure targeted at teen male readers would help keep those readers from leaving books and getting their story fix from video games. I don’t think it’s very likely that one can turn an adult non-reader into a reader, but I think that turning a pre-teen reader into a teen reader is possible if that teen has books he likes, so I think this is where the focus should be. Give them some fast-paced adventure with a bit of wonder sprinkled over it, and keep giving that to them as they grow up so they don’t have to spend their whole teenage years reading about 11 year olds and cats because there aren’t any adventure books for teens.
Thank you so much for your insights! I searched the Christian book market for years to find books I wanted, but the quality in my preferred genres was never quite there, for action-adventure or speculative fiction. As an indie author, I now write stories for the general market that feature Christian heroes and the pulp fiction type action and plots I like.
I often ask writers, “If Indiana Jones was a Christian, how different would his stories be?” The answer is, “Not much.” As a Christian, he could still run from tribes and soldiers, swing on vines, have car chases, and even punch people or shoot a gun to defend himself. He simply wouldn’t cuss, kill people so flippantly, or sleep with the girl. The action of the story would stay mostly the same.
Yet most Christian publishers have no idea how to write an exciting or fun story with great Christian heroes. It feels like they take all their cues about what male readers would accept from readers who don’t actually read such books. So it’s not that Christian men don’t read fiction. It’s that many Christian women readers don’t read the kind of fiction that appeals to men, and those women make up the current CBA audience that publishers try to hold onto. The large Christian publishers have not welcomed men, but have asked women what their husbands might read, and produced women-approved fiction that men often tolerate, since they’re not being offered anything great.
Publishing more ‘manly’ Christian fiction and having readers actually buy it would be a good start, so in that sense I definitely agree with the article. I really think there’s far more to this issue, however, and it comes down to a lot of complicated, subtle things in our society that need to be fixed.
I’m a girl, but I’ve always read a lot of ‘guy’ books because I wanted stories with a sense of ‘coolness’ and ‘epicness’ about them. Growing up, I was trying to figure out life, and a lot of ‘masculine’ stories and male characters were written in a way that helped me do that. Of course I still liked a lot of female characters and stories aimed at women, but the guy books still taught me a lot. Many of these stories were dark and gritty animal stories, survival stories, or scifi and fantasy that explored how to survive, be a good leader, deal with difficult situations, etc. That’s one of the reasons why I’m invested in the topic of ‘guy’ books, along with the fact that I care about men as much as I care about women.
When comparing modern stories to many older, grittier ones, I sort of lament what we’ve been losing. I’m not saying that ‘old fashioned grit’ stories are the ONLY ones we can have, but we are slowly losing them altogether, along with our ability to understand their depth. Some people passive aggressively say they want to ‘critique’ older stories, when in reality they’re just chipping away at the old stories until they lose their meaning and ultimately cease to exist.
Over time, I think we’re getting stories that have a veneer of grit, but are still rather neutered in the sense that they’re only there to deliver a sermon on certain woke ideas, instead of being a real and honest exploration of life (or at least the author’s perspective). It’s ok for some stories to be woke or whatever — in fact, it’s necessary to have all perspectives out on the market. But, that’s just it. People are starting to act like the only ‘acceptable’ stories are the ones that contain woke ideas. In many cases, they AREN’T allowing for a full marketplace of books/ideas to take place, and that’s something that needs to be pushed against.
In a general sense, writing good books for men is something that might help with part of the problem, but it isn’t the whole picture. There’s nothing wrong with specializing and aiming a story toward one demographic or another(men in this case), but it’s not always as necessary as one thinks.
I am working on a lot of stories that probably would appeal to men, but I don’t write specifically for men OR women. Some of the intrinsic struggles that people have are more fundamental to being human than being a certain sex. The main character of one of my stories, for example, is a male that is very masculine and independent. He shows some aspects of what it is like to be a good father, and he dies trying to protect his family. But his character arc reflects a lot of what I went through when coming to terms with the way that various collectivist ideologies have started to take hold and control everything. Making sense of such things and learning how to stand against them (instead of being afraid) is very vital for everyone to learn. If we don’t, then everyone, including our families, will suffer. Books like that can help bridge the gap to male readers without having to be specifically for men. (Which may make publishers more willing to take a chance on them)
Ultimately, the most important thing is to focus on writing a damn good story. A deep one. A magnificent one. One that brings the audience on a journey of life and death and understanding. There will always be plenty of people that will want to read those books, and plenty of them will be men. That approach also allows men to discover and enjoy these stories on their own instead of feeling like their wives, sisters, girlfriends, etc are dragging them into it. Also, saying that a ‘manly’ story focuses on action rather than relationships is way too simple. Stories like Naruto are written primarily for teenage boys, and they strongly emphasize both action AND relationships. Considering such stories can easily run for a decade or two, the authors kinda HAVE to develop character relationships in order for the story to make sense and have a plot. But the action and relationships have to be well written and ENHANCE the plot, otherwise they’ll feel like a boring and needless distraction. Considering how beloved the Naruto/Naruto Shippuden series is throughout the world, we can see that writing both action and relationships well can be very beneficial.
A good story should also wrestle with what it’s like to be human, and therefore be willing to show flawed characters. I think a lot of where Hollywood and ‘modern’ stories go wrong is in terms of how they depict flaws. Often, their depictions don’t drive the character toward something meaningful.
Characters don’t have to always know when they’re wrong or ‘learn a lesson’ by the end of the story. But it is important to show the genuine ups and downs of their lives and struggles, along with the full depth of how their choices affect things. I have characters that are promiscuous, for example, and they don’t always know their behavior is wrong. But the reader can often see that the promiscuity comes from an unhealthy place inside the character. Or they can see how it negatively impacts the world. It’s not about being preachy, but it is about being honest with what happens. Hollywood, etc. can talk about ‘being honest’, but they’re only honest about certain things. Maybe Christians can start writing more stuff that’s honest about EVERY piece of reality. Not in the sense of writing graphic sex scenes just for the sake of realism, but in the sense of exploring all aspects of human nature, especially the things that people tend to overlook.
Also, it’s not just about whether men read novels or Christian fiction. They might be reading manga, comics, or enjoying other creative hobbies like video games and tabletop rpgs. So having stories in a variety of formats is important too.
Hello! As a fan of fantasy and Christian romance, I think it is time that many people realize this: the problem is not that Christian fiction is full of romance and fiction for women, if they left that aside, the problem would be the other way around: the girls would go to the secular in search of reading. No, now that we have female writers and a popular genre like romance has enough representation in the Christian industry, let’s also pay attention to the fantasy boys that everyone likes.